In The Line of Duty 5
"This film delivers quite well in martial arts action. This is of a time with no CGI and there is little use of wirework or camera tricks".
In The Line of Duty V (1990)
AKA: In The Line of Duty 5: Middle Man
Director: Cha Chuen-Yi
Producer: Stephen Shin (Gei Yin)
Cast: Cynthia Khan (Yeung Lai-Ching), David Ng Dai-Wai, Alvina Kong Yan-Yin, Kim Maree Penn, Billy Chow Bei-Lei, Chris Lee
Running Time: 96 min.
Plot: After being caught up in some spy business and having his girlfriend murdered, David goes South Korea with his cousin Inspector Yeung to prove his innocence and take revenge for his girlfriend's death. But things aren't what they s
Availability: This title is available at HKflix.com
RETTER'S REVIEW: I go into this review with a bias because this film converted me to a genre I had ignored up until that point. "In The Line Of Duty 5 : Middle Man" gets started strait away with a fly kick through the windshield of a moving vehicle, a walking up the walls of an ally way kickboxing confrontation and a fight on the back of a moving truck within the first few minutes of the film! This intro grabs your attention if you are an action lover or even better action purest.
This is the fifth in the series of films that are pretty much the same and almost indistinguishable but have varying qualities and standards. The films were made by D And B films in Hong Kong and are aimed at both a local and international market. There is quite a bit of English language used in the series and they have international cast.
Cynthia Khan was quite popular at this time and she stars as a cop with David Wu as her cousin who has just come home from the army. Another interesting member of the cast is Kim Maree Penn who is a blond Australian woman very capable of the quick martial arts choreography in Hong Kong cinema. The plot does not matter but it involves espionage and the selling of military secrets. Forget stories because story serves only the purpose to set up exciting sequences.
This film delivers quite well in martial arts action. This is of a time with no CGI and there is little use of wirework or camera tricks. The fight scenes are high impact, occasionally clever and improvisational. Cynthia Khan gets to show off her gymnastic/dancing background on some fortunately placed parallel beams and cuts loose some shipping cargo to smash a speed boat to pieces. To me this is the peak of the series, not including the first entry "Yes Madam" which is a genuine classic. I like number five because when I compare it to four it has better action, which is strange when you consider four has direction by Yuen Wo Ping and co-stars Donnie Yen. Four has fight scenes that are way too sped-up also known as "under cranked" were the martial arts is very obviously in fast
The Climax of ITLOD-5 is a beautifully shot and paced fight between Cynthia Khan and Kim Maree Penn that turns into swordplay. I like one still moment where they stand silent and snow begins to fall before they start hacking steel blades into each other again. Perhaps this is an inspiration for a moment in Tarantino's "Kill Bill" during a battle between Uma Thurman and Lucy Liu were there is a simular moment. The choice of climactic villain is excellent and is one of the reasons Kim Maree Penn has had cult following. Penn gives a great performance in this sequence as a real deadly princess. Yes the film is kind of dodgy but there is plenty of entertainment in the film where I think they got the formula of the series just right. I believe this is a good example of Hong Kong action cinema where the budget is big enough to make a nice to look at film but small enough requiring the choreography to be tight, action quite demanding for the cast and stunt work rather than camera trickery or computer generated images. The fundamental thing in this genre is to deliver plenty of stylish chop-socky and make sure you have a good if not excellent action climax, Jackie Chan is probably the best example of this with his 1980's films. For me stunt work is at its best when what takes place on the screen actually impresses and surprises. This film does that to some extent. The fight scenes are not overly edited and you can watch free flowing martial arts for a dozen blows before a change of angle. Cynthia takes many knocks and tumbles to the ground.
This film is really of another era now. Although it was only made in 1990 action cinema is radically different now because of CGI and the use of rapid editing. We no longer demand the physical daring or skill that HK delivered in this era of 1970's to early 1990's. Other good examples of this modern day cop martial arts genre are the "Police Story" and "Tiger Cage" series but the difference with the "In The Line Of Duty" films is that the protagonist has always bean a female. Ultimately this series is like ballet or Peking opera. This is a very visual entertainment that Hong Kong created partly because Cantonese is not widely spoken in Asia. Action made HK cinema competitive, widely appealing and became the third most successful film producing territory after Hollywood and Bollywood.
I was converted to this genre after seeing this film late one night on SBS television in Australia. I could not believe the first five minutes with the hardcore kung fu involving the fly kick through the windscreen of that car. The following sequences kept me watching something I hade not seen done before in the west - over the top violence. I have seen all the real classics of Hong Kong 1980's action cinema since but I believe this to be still an above average film of its type. The film is silly (no shit!) but a kind of trash entertainment that becomes something wonderfull and beautiful to watch. Choreography with artistry, impact and rhythm baptised me into the genre I spent years following. If you enjoy this genre you should see this fifth entry of the popular ITLOD series. "In The Line Of Duty 5 : Middle Man" is actually quite an underrated film and of course they don't make pictures quite like this anymore (I am 24 and I already sound like an old bastard!).
RETTER'S RATING: A Biased and generous 8/10