AKA: Hand Cuffs
Director: Wu Ma
Writer: Michael Chan Wai Man, Wu Ma
Cast: Michael Chan Wai Man, Nora Miao, Lo Lieh, Bill Lake
Running Time: 95 min.
By Jeff Bona
Ah Chang (Chan Wai Man), also known as âThe Green Dragon,â is an expert at kung fu, a master of weaponry (put a slingshot in his hands and itâs as good as a sniper rifle) and one hell of a killing machine. Heâs the best at what he does, which is why he works for Boss Chow Kwan, a ruthless Triad godfather.
Today, Ah Changâs life is about to change…
When a woman named Mung (Nora Miao) witnesses him murdering his target, he attacks her and assumes sheâs dead. The next day, he learns she is still alive, so he finds the hospital sheâs recovering at, and sets out to shut her up for good; but upon his arrival, police catch him in-the-act and he is arrested.
Luckily for Ah Chang, a police inspector named Chan is assigned to his case. Not only is Chan an old friend his, but years ago — way before they were on opposite sides of the law — he had saved Chanâs life. Because of their relationship, Chan goes easy on him and assures that he has nothing to worry about, as long as no evidence is found.
However, things heat up for Ah Chang when Mung is finally brought in to identify him as the killer. Surprisingly, she recognizes his face – but keeps her silence – and he is set free.
Ah Chang embraces this second chance and decides that he wants to retire his life of crime and marry Mabel, his girlfriend. Boss Chow Kwan gives him his blessings, but warns him that Mabel is not the marrying type.
After a series of unfortunate events, Ah Chang realizes that he canât escape his violent lifestyle – just when he thought he was out, they pull him back in!
Iâve never been the biggest Chan Wai Man fan. I always thought he carried himself too much like a prick. He sort of has this asshole look on his face that I canât fully explain. Mind you, every movie Iâve see him in, he plays roles that perfectly fit what Iâm talking about. After doing research, I actually found out that heâs a real-life triad member, which probably explains his full, upper-body tattoos. In addition to being a gangster, the guy is also an established kickboxing (and boxing) champion; not to mention, an avid practitioner of Taekwondo, and northern and southern Kung fu.
With that said, I enjoyed The Handcuff (either that, or Iâm secretly afraid this guy might read this review and beat me up). Once I got through the opening credits, and got a feel for the story, I didnât mind Chan Wai Man. Iâm sure it has something to do with the quality of the movie: it has a sense of style and doesnât seem rushed. The plot is well-contructed and the action scenes are tight. There are a few comedy gags that seem misplaced, but nonetheless, they were funny.
Director Wu Man (veteran Shaw Brothers and Golden Harvest actor) and Chan Wai Man (who also wrote the film) took key elements from Francis Ford Copolla’s The Godfather (1972) – such as the opening montage of assassinations and Boss Chow Kwanâs âI donât deal in drugs.â But then again, what gangster movie isnât inspired by The Godfather?
I like how Ah Chang was portrayed as a good guy, even though heâs practically a cold-hearted murder. I mean, he would have strangled Nora Miaoâs character if he didnât get caught by the cops! Thatâs messed up.
Speaking of Nora Miao, I get the impression that she was just thrown in because of her status and good looks. Even though her character is crucial to the plot, her addition seems forced. Keep in mind, if you added up all her scenes, they probably equal about 5 minutes. As far as her dialogue? This paragraph alone has more words than her entire scripted part.
Lo Lieh is in this movie, too. He doesnât show up until the end, but heâs one of the main baddies. Again, probably thrown in to spice up the third act.
For those of you who like to get squeamish, expect explicit scenes of gore: one involving a gunshot wound to the leg; I swear, if it’s not real human flesh they’re using, it has to be some sort of half-cooked, bloody pork.
Recommended.
Jeff Bona‘s Rating: 7/10


















I saw this on a beautiful English dubbed 35mm print a few days ago at an exploitation film festival that Jack Stevenson runs in Copenhagen once a year. There were a couple of fight scenes that went on for too long (way too long) but other that than I loved the film. Too bad it’s not released on dvd or bluray anywhere.
I don’t mind the long fights scenes as the fights are about the only good thing this movie really has. I’ll take The Club (1981) over this any day.